When working from the subject of dreams i wanted to look into artists that used emotion or tried to convey emotion in their work.
The Colour Field move ment was a branch from Abstract Expressionism which emerged from New York City in the 1940's and 50's. Colour Field dealt with large block of usually unbroken colour spread or stained onto canvas with less emphasis on brush strokes and gesture, more on form and process. Artists like Barnett Newman and Clyfford Still used reduced forms and a highly psychological use of colour to provoke emotion and even a meditational response in the viewer.
Clyfford Still is seen as one of the foremost Colour Field movement. His flashes of colour give the impression that parts of the colour have been torn off, revealing others underneath. Unlike others in the Colour Field movement, Still did not apply paint in a flat uniform manner, however he
applied his paint impasto in a thick almost unregimented way causing different tones to appear in
different lighting situations and angles.
"I never wanted color to be color. I never wanted texture to be texture, or images to become shapes. I wanted them all to fuse together into a living spirit." - Clyfford Still
"It's intolerable to be stopped by a frame's edge." - Clyfford Still
Quotes from Wikipedia.
I think this is how i want to work. I dont want my work to be a mechanical process, i want it to be spontaneous and free, not having boundaries and limits. Its for this reason why i used a syringe to create the previous works i did, not wanting to be limited purely by what my hands wanted to create and what my brain wanted to see, but adding a surprise random element to things. When i look at Stills work i see sometimes see shapes and patterns much like i do in my own work, shapes and patterns that were maybe not intentionally put there, yet have emerged due to the combination of colours.
As well as the use of large blocks of colour to create shapes and patterns, i also want to look into ink blot tests as they are also shapes and or patterns by somewhat mistake that can be seen in many different ways.